I guess my interest in skulls and syringes can be traced back to my childhood where family dinner conversations usually centred around my father’s daily experiences as a family practitioner. From the tender age of three I was aware of life, death and something vague in between.
I like to transform ugly, unloved materials into attractive and alluring objects without any structural interference.
Syringes are very symbolic, invoking a host of different emotional reactions, mostly negative. They can, however, alleviate pain, cure and protect against life threatening diseases and change the way we look and feel about ourselves. Our very existence can depend on one syringe and they deserve our respect and their place in the history of humanity.
I was invited to participate in the group exhibition Personal Structures hosted by the European Cultural Centre and organised by the GAA Foundation.
I was drawn to the exhibition’s title “PERSONAL STRUCTURES – open borders” which shows the commonness and differences between Europeans in dialogue with works of non-Europeans. In addition, the exhibition stimulates a more conscious relationship from the spectator towards his daily surrounding aiming to increase the awareness of their own personal Existence as human beings influenced by a specific Culture within Time and Space.
Here in pictures is the passage to Venice.
|EXHIBITION TITLE||PERSONAL STRUCTURES – open borders|
|VENUES||Palazzo Bembo, Palazzo Mora and Giardini Marinaressa|
|HOST||European Cultural Centre|
|ORGANISERS||Valeria Romagnini, Lucia Pedrana, Sara Danieli, Alesia Varnaeva, Bianca Bonaldi, Elena Volpato, Alessandra Valle, Anaïs Hammoud|
|OPENING PERIOD||13 May – 26 November 2017 (preview 11-12 May 2017)|