Anthony Moman Personal Structures during the 57th Venice Biennale

PERSONAL STRUCTURES – Open Borders

OPENING PERIOD: 13 May – 26 November 2017

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Arriving in Venice last week, I was greeted by dark skies, rumbles of thunder and then rain….but wait a minute ! Who cares about the weather. I have been invited to exhibit my artwork at the preeminent cultural event in the most beautiful city in the whole world !

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Sharing Palazzo Mora and Personal Structures is the Kiribati National Pavilion

The Venice Biennale draws hundreds of thousands of art lovers and professionals from all over the world and I am going to be a part of this for the next 7 months, so I repeat, who cares about the weather.

After checking in to my apartment, I decided to head off to Palazzo Mora early  to check that the lights  did not reflect too much off the plexiglas cases. This palazzo is one of the three palazzi taken over by the European Cultural Centre for the Personal Structures group exhibition and also the Kiribati National Pavilion. Kiribati and Venice have similar environmental challenges…they are both sinking.

As I feared, the lights were too fierce but I felt churlish complaining that the great Hermann Nitsch’s blood paintings were vividly reflected on my artwork. This calls for tact and diplomacy.
I looked around at my other fellow artists and who should be behind my wall but none other than the great Jeff Koons…how blessed am I ! Nitsch’s blood and gore paintings, Anthony Moman’s syringe sculptures and Jeff Koon’s balloon dogs. Well this is the Venice Biennale,after all.

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Jeff Koons has got my back.

At 6pm there was a steady trickle of people arriving and by 6.30 it became a torrent as they arrived by the hundred. By 7pm with the Prosecco flowing, and trays of exquisite canapés passing me by, it was barely breathing room.

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Crowd pleaser

Many people did a double take as they realized that my shapes were formed not by led lights or ball bearings (now there’s an idea ) but real, fully armed syringes. The reactions were mixed from surprise, disgust – phobia for needles, to incredulous, but at least no one was complacent. That is what I had hoped for, to provoke a strong reaction amongst all this art.

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To Be One 2017 Syringes on marine board
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Divine Object, 2017 Anthony Moman Syringes on marine board in plexiglas box
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Taking a closer look
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Up close and personal

To take the Kiribati motto :  “Te Mauri, Te Raoi ao Te Tabomoa”

“Health, Peace and Prosperity”

WEBSITES: http://www.gaafoundation.org http://www.europeanculturalcentre.eu

http://www.anthonymoman.com

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